The Gallery of Horrors: Speed Grapher's Secondary Characters Ranked by How Much They'll Never Leave You Alone

The Supporting Cast Is Where the Real Horror Lives

Everybody talks about Suitengu. And fair enough — he's a great villain with a genuinely tragic backstory and a power set that's both visually arresting and thematically loaded. But if you ask most Speed Grapher fans what actually kept them up at night, the answer usually isn't the main antagonist. It's the gallery of Euphorics that populate the show's middle stretch: the clients, the one-episode monsters, the people whose desires have curdled into something monstrous.

These characters are where Speed Grapher's central thesis — that unchecked desire destroys you from the inside out — gets its most visceral expression. Each Euphoric is essentially a walking argument about what happens when a human being's worst impulse gets handed a supernatural amplifier. The results are disturbing in ways that go well beyond simple shock value.

Here's a ranking of the ones who stuck around in viewers' heads long after the credits rolled, along with some honest analysis of why they work.

5. The Skin Collector

Starting with a character whose power is almost insultingly on-the-nose: a man whose obsession with beauty has transformed him into something that literally harvests what he covets. The visual design here is where the horror lives. There's nothing subtle about what the show is doing — this is desire as predation, rendered as explicitly as possible — but the lack of subtlety is kind of the point. Speed Grapher isn't trying to sneak this critique past you. It wants you to sit with the discomfort.

What makes this character linger is less the power itself and more the mundane confidence with which he operates. He doesn't read as unhinged. He reads as someone who simply decided his desires gave him rights. That particular brand of entitlement is recognizable in a way that pure monster-movie horror usually isn't.

4. The Dentist

Of all the Euphorics in the series, the dentist might be the one that exploits the most universal anxiety. The chair, the tools, the professional authority — Speed Grapher takes all of it and twists it into something genuinely nauseating. The power itself involves teeth and oral destruction, which lands differently depending on your own history with dental anxiety, but lands hard regardless.

What elevates this character above simple gross-out territory is the way the show frames his relationship with his own power. There's a pleasure in the control that reads as deeply familiar — not because most people want to hurt others, but because the dynamic of having someone completely at your mercy in a clinical setting is one most of us have been on the wrong side of. Speed Grapher just makes the subtext explicit.

3. The Spider Woman

Body horror and transformation anxiety converge in one of the show's most visually ambitious character designs. The Spider Woman's Euphoric ability pushes the limits of what early 2000s animation could pull off, and the result is something that feels genuinely alien in a way a lot of the other Euphorics don't. Most of the supporting cast's powers feel like extensions of human pathology. Hers feels like something that has moved past human entirely.

That distance is what makes her memorable. She's not a cautionary tale about recognizable desire — she's a glimpse of what's on the other side of it. The show uses her to suggest that the Euphoric transformation isn't just metaphorical corruption. It's a literal departure from humanity, and some people go further than others.

2. The Doll Maker

If the Skin Collector is horror about acquisition, the Doll Maker is horror about control. His obsession with creating perfect, motionless beauty — and his power to enforce that stillness on living people — is one of the most psychologically dense concepts in the series. The imagery is deeply unsettling in a way that's hard to articulate: there's something about the aestheticization of paralysis that hits a nerve most horror doesn't reach.

The Doll Maker also functions as one of the show's sharpest class critiques. His victims aren't random — they're chosen, curated, displayed. The whole thing reads as a grotesque parody of collecting as status symbol, and Speed Grapher is clearly aware of that resonance. He's not just a monster. He's a monster with taste, which is somehow worse.

1. Makabe

The top spot belongs to a character whose horror is almost entirely psychological rather than visual. Makabe's power and his history combine to create something that's less a supervillain origin story and more a portrait of trauma so severe it has reorganized a person's entire moral architecture. What Speed Grapher does with him is genuinely brave: it asks you to understand how someone becomes this, without ever asking you to excuse it.

He's the most disturbing character in the secondary cast not because his Euphoric ability is the most extreme, but because the show gives him enough context to be comprehensible. And comprehensible horror is always scarier than the inexplicable kind. Makabe doesn't come from nowhere. He comes from somewhere recognizable, and that's what makes him impossible to shake.

Why These Characters Matter Beyond the Show

Speed Grapher's Euphoric roster is doing something that most anime monster-of-the-week formats don't bother with: using each character as a genuine argument about the relationship between desire, power, and destruction. The secondary cast isn't just there to give Saiga something to shoot. They're the thesis statement, made flesh and given superpowers.

That's why they stick. Not because they're gross or scary in a surface-level way, but because each one is doing thematic work that holds up under scrutiny. The show respects its own ideas enough to follow them to uncomfortable places, and the characters are the proof.